Since premiering in 2009, Shark Tank has made a business out of making businesses. The highly-rated ABC series permits entrepreneurs to pitch their product ideas to a panel of potential investors that includes Dallas Mavericks owner Mark Cuban, “Queen of QVC” Lori Greiner, and acerbic Kevin O’Leary. Good products find encouragement and investment capital; questionable inventions face withering scorn and a long walk back to the dressing room.
Of the hundreds of items to be featured on the show, a relatively small percentage go on to success. (Many deals, in fact, dry up during the due diligence stage.) Here are 15 of the most successful to come out of the Tank, including several that failed to entice the “Sharks” but still managed to make it big.
1. KODIAK CAKES
It can be hard to break the habit people have reaching for Bisquick pancake mix, but Utah-based Kodiak Cakes is making an impressive effort in that direction. The flour-based mix—which adds more whole grains and protein than your average grocery store offering—was featured on the show in 2013, with owner Joel Clark walking away empty-handed. (He didn’t want to give up more than 10 percent equity.) Bolstered by the attention and supported by health-conscious carb lovers, the company recorded $54 million in revenue in 2017 and is now the fourth largest pancake mix on shelves. You can also find their premade waffles and pancakes in freezer aisles.
Rick Hopper, a former supervisor at Home Depot, had his eureka moment in 2010 when he found himself misplacing his reading glasses. That frustration led to ReadeREST (“reader rest”), a magnetic pocket filler that allows glasses-wearers to clip their spectacles to their shirt when not in use. Unlike glasses kept loose in a pocket, the clip prevents them from slipping out and crashing to the floor when a person bends over. Hopper accepted an offer from Greiner and subsequently sold $100,000 in product the first time it appeared on QVC. They’ve since done over $27 million in sales.
3. COUSINS MAINE LOBSTER
Cousins Maine Lobster
Hoping to bring an authentic Maine lobster roll experience to the West Coast, cousins Sabin Lomac and Jim Tselikis started their Cousins Maine Lobster food truck in Los Angeles in 2012. That success captured the interest of Shark Tank producers, who invited the two on the show. Shark Barbara Corcoran invested a total of $55,000, which helped facilitate a growing number of the trucks and led to total sales in excess of $20 million. Consumers outside of their vehicle reach can also order live, claw-snapping Maine lobsters from their website.
Print isn’t dead—at least, not print-on-demand. GrooveBook, an app that allows users to flag social media photos and request physical prints as part of a customized photo book, appeared on season five of Shark Tank and scored a deal with Mark Cuban and Kevin O’Leary. Prior to their appearance, owners Julie and Brian Whiteman had about 18,000 paid subscribers. Following the broadcast, that number rose to 500,000. In 2015, the company sold for $14.5 million to Shutterfly.
5. SQUATTY POTTY
A plastic stool meant to facilitate more efficient emptying of the colon, the Squatty Potty made a splash when it was featured on the show in 2014. The company moved than $1 million in product in the 24 hours following broadcast—that was in addition to Greiner’s $500,000 investment. In 2016, the company topped $30 million sales. Creator Bobby Edwards cites his chronically constipated mother, Judy, as being the inspiration.
6. GRACE AND LACE
Grace and Lace
A 2013 appearance and $175,000 investment by Corcoran led to this women’s accessory business owned by couple Rick and Melissa Hinnant growing from $1 million to over $20 million in sales. The expedited success left the owners scrambling to fill sock orders, which was met with some consternation by customers unhappy with the delays. (“I’m going to burn them,” wrote one impatient buyer.) Most of their orders come via their website, though they have a growing presence in boutique stores.
7. BUBBA’S Q
Former NFL player Al “Bubba” Baker pitched his Bubba’s Q boneless ribs to the Tank in 2014, with Shark Daymond John seeing potential in Baker’s signature meat-and-sauce combination and agreeing to invest $300,000 for a 30 percent stake. The company went from doing $154,000 in sales prior to the show to $16 million in 2017. The ribs can be found online, in Costco, on QVC, and were also featured as part of a Carl’s Jr. menu. Baker owns patents on his process, making him the only person able to sell a deboned and cooked rib.
8. TIPSY ELVES
Ugly holiday sweaters might appear to belong only on thrift store shelves, but Tipsy Elves co-founders Nick Morton and Evan Mendelsohn managed to convince Shark Robert Herjavec to invest $100,000 for a 10 percent stake in their business during a 2013 appearance. Peddling the clothing—which feature hideously charming or charmingly hideous designs, depending on your perspective—has paid off for everyone, with sales exceeding $10 million in 2015. Three days before taping the show, Mendelsohn went to Panda Express and found a curious prediction in his fortune cookie: “An investment opportunity will find you.”
The doorbell-camera hybrid Ring recently sold to Amazon for $1.1 billion, but during a 2013 appearance, CEO James Siminoff faced a lineup of Sharks who could barely keep their eyes open. (Only one, O’Leary, even bothered to make an offer.) Mark Cuban later stated that he would decline the opportunity again if given the chance, citing a high valuation as a stumbling block. The Amazon sale also paid off for Shaquille O’Neal, who agreed to be a pitchman for the product in 2016 in exchange for equity.
Few entrepreneurs have flamed out as spectacularly as former NASA employee Mark Aramli, who appeared on a 2015 episode touting his BedJet, a climate-controlling mattress pad that allows users to adjust to their preferred temperature. The Sharks disagreed with his $2.5 million valuation and $499 price tag. Greiner later tweeted she was “pissed off” by his disposition. No one wanted to get in bed with him, but Aramli got the last laugh with $3 million in sales in the 18 months following the broadcast.
11. COPA DI VINO
Copa di Vino
It’s rare to score even one opportunity to make a product presentation on Shark Tank: Having two is almost unheard of. Copa Di Vino founder James Martin first appeared in 2011 with his idea for single-serve wine glasses that are sealed to maintain freshness. While he failed to find a partner, Martin still profited from the attention, going from $500,000 to $5 million in sales. That success led to a second invite in 2017. Again, the Sharks were less than fond of his brazen approach to negotiation. (He took sips from his own supply.) But Copa is still doing fine, selling 38 million cups through 2017.
12. SIMPLY FIT BOARD
Resembling something like a skateboard liberated from its wheels, the Simply Fit board is a core balance device meant to strengthen abdominal muscles. In a 2015 appearance, co-founders Gloria Hoffman and Linda Clark convinced Greiner that it was a wise investment, but Greiner felt she had to act fast: Without a patent, copycats would become a problem. Sales went from $575,000 to $9 million in a matter of months, with placement in Home Depot and Walmart locations.
13. CHEF BIG SHAKE
Chef Big Shake
Who doesn’t crave a juicy, delicious shrimp burger? All the Sharks, apparently, as this seafood offering failed to entice any investment offers when Shawn Davis pitched it in 2012. The exposure quickly led to offscreen offers for funding, however, and his Chef Big Shake banner went from $30,000 to $5 million in sales thanks in part to an expanded menu of chicken, popcorn, and other items. Davis originally formulated the patty for his pescatarian daughter, who is currently back to eating meat.
In what is likely the single biggest nonedible success story to emerge from Shark Tank, inventor Aaron Krause convinced Greiner to invest $200,000 in his smiley-faced sponge. (The mouth is good for cleaning utensils.) But the Scrub Daddy is more than just a vessel to tackle dried-on chili from pans: Rinsed under hot water, it gets pliable enough to use on counters. Run it under cold and it firms up to tackle baked-on messes. Through 2017, Krause has sold more than 10 million sponges and logged $50 million in sales.
15. DROP STOP
Is it the greatest invention since the light bulb? Or at least the Snuggie? The Drop Stop is a foam-filled log that fits in the crack between a car seat and the center console. If a passenger drops their car keys or other items in the “Carmuda Triangle,” they will still be within easy reach. Co-founders Marc Newburger and Jeffrey Simon appeared on the show in 2012, secured a deal, and went on to sell 2.4 million Drop Stops for $24 million in revenue.
There are thousands of classic love songs in the world. And then there are those songs that seem romantic—like, say, Dolly Parton's most famous breakup song, "I Will Always Love You," which skyrocketed as a top wedding choice after Whitney Houston's heartbreaking version was released in 1992—but when you really listen to the lyrics, they don't convey exactly the message you might have thought. Here are seven of them.
1. "More Than Words" // Extreme
Don't be fooled by the spare acoustics and subtle, soulful harmonies—the bros from Extreme didn't pen a love ballad, they penned a longing ballad. In 1991, just after the song had topped the Billboard charts, guitarist and singer-songwriter Nuno Bettencourt talked about how people too often think that saying "I love you" can work as a Band-Aid in relationships. "People use it so easily and so lightly that they think you can say that and fix everything, or you can say that and everything’s OK," he said. Basically, it’s about how actions speak louder than words.
2. "God Only Knows" // The Beach Boys
As lushly orchestrated as this song is, the lyrics are short on words but long on mixed messages. Brian Wilson’s proclamations that life wouldn’t be worth living without the song’s intended listener sound like the stuff of planning futures together and walking down the aisle, but only if you can get past the first line: "I may not always love you."
3. "Leaving on a Jet Plane" // John Denver
What sounds like a sweet, heartfelt farewell before a fairly long trip turns bittersweet when the singer admits that "so many times I’ve let you down / So many times I’ve played around," perhaps on one of these long trips. But then he promises to bring home a wedding ring? It seems hard to look forward to an engagement when you don’t know if your beloved will be faithful while he’s out of town.
4. "There She Goes" // The LA's
From the time The La’s released "There She Goes" in 1988, rumors of it being an ode to heroin abounded. Lead guitarist John Byrne, who co-wrote the song, denied it, saying "It’s just a love song about a girl that you like but never talk to," which, beyond the lyrics "There she blows … Pulsing through my vein," could be believed. The song later made a huge comeback in 1999 when Sixpence None the Richer covered it, introducing a whole new generation to the blurred lines between states of infatuation and intoxication.
5. "Here Comes Your Man" // The Pixies
You’d expect a band as discordant as the Pixies to have some pretty screwed up opinions on romance, but what’s admirable is that one of their most accessible songs is really a pretty twisted little tale. "Here Comes Your Man," replete with twanging riffage and cutesy backing purrs, is actually "about winos and hobos traveling on the trains, who die in the California Earthquake," as frontman Black Francis toldNME in 1989. The repetitive chorus of "here comes your man" might sound sweet and moderately chivalrous, but then verses like "Big shake on the boxcar moving / Big shake to the land that's falling down / Is a wind makes a palm stop blowing / A big, big stone fall and break my crown" don’t exactly hold up as romantic mood-setters.
6. "Got to Get You Into My Life" // The Beatles
"It’s actually an ode to pot," Paul McCartney said of this 1966 song, though it could easily fool any square parents who might have heard it playing from the basement. And with lyrics like "Ooh, then I suddenly see you / Ooh, did I tell you I need you / Every single day of my life" coming from the "cute" Beatle, who could blame them for the confusion?
7. "Always" // Bon Jovi
This power ballad’s chorus screams everlasting love—"And I know when I die you’ll be on my mind / And I’ll love you, always"—but the rest of the lyrics tell the full story of a Romeo whose heart is bleeding after his lover left and moved on to someone else. Just another reminder to actively listen to the full meaning of a song before committing to a first dance.
Once again, Valentine’s Day is upon us—a day when the phone lines at any restaurant worth its weight in conversation hearts are as jammed up as the Hallmark aisle at your local grocery store. Who needs that hassle? Why not spend the night in, binge-watching some of your favorite romantic comedies instead? Here are 40 fun facts to get you started.
1. PRETTY WOMAN WAS ORIGINALLY MUCH DARKER.
Buena Vista Pictures
Screenwriter J.F. Lawton’s original script, which was titled 3000, wasn’t a love story—and it didn’t have a happy ending. Instead of a rom-com about two very different people finding love, it was a grittier tale about two damaged individuals who spent a week together that ends in tears and zero hope for a balcony-set reunion scene.
2. THE TITULAR CHARACTERS IN WHEN HARRY MET SALLY… WERE MODELED AFTER DIRECTOR ROB REINER AND SCREENWRITER NORA EPHRON—EXCEPT FOR THE FALLING IN LOVE PART.
Rob Reiner divorced fellow director Penny Marshall in 1981 after 10 years of marriage. When he met with Nora Ephron in the mid-'80s, he pitched a number of ideas for movies, including a comedy based on his dating experiences. Ephron agreed to write it after extensively interviewing Reiner. The two had many discussions about how men and women view sex, love, and relationships differently.
3. TITANIC’S MOST ICONIC LINE WAS IMPROVISED.
When Leonardo DiCaprio first got up on the end of the ship in Titanic, he improvised the line, “I'm the king of the world!” Cameron liked the line so much that he kept it in the movie. Though the line would go on to be parodied countless times—including at the Oscars—it landed at #100 on the American Film Institute's list of the greatest movie quotes.
4. THE PRINCESS BRIDE WAS WRITTEN FOR THE AUTHOR'S DAUGHTERS.
William Goldman, who wrote the novel The Princess Bride in 1973 and penned the screenplay, toldEntertainment Weekly in an oral history of the movie, "I had two little daughters, I think they were seven and four at the time, and I said, 'I’ll write you a story. What do you want it to be about?' One of them said 'a princess' and the other one said 'a bride.' I said, 'That’ll be the title.'"
5. TRUMAN CAPOTE WANTED MARILYN MONROE TO STAR IN BREAKFAST AT TIFFANY’S.
Marilyn Monroe’s advisor and acting coach, Paula Strasberg, said she shouldn’t play a “lady of the evening,” and Monroe took her advice. Capote said Paramount Pictures “double-crossed me in every way” when they cast Audrey Hepburn instead. The outspoken author also proclaimed the movie to be the “most miscast film I've ever seen.” Over time, Capote would go on to say that Tuesday Weld or Jodie Foster would be good choices to play Holly Golightly in a remake.
6. ANDIE AND DUCKIE WERE SUPPOSED TO GET TOGETHER AT THE END OF PRETTY IN PINK.
Paramount Home Entertainment
Originally, Pretty In Pink ended with Andie (Molly Ringwald) and Duckie (Jon Cryer) ending up together. But that changed when Cryer was cast. “Molly dropped the bomb that she would’ve been fine with the original ending if Robert Downey Jr. had played Duckie, but since it was me, she just couldn’t see it,” Cryer said on the film’s 2006 Everything’s Duckie DVD edition. “It was like, ‘Wow, so I’m that unattractive?’ Thanks, Mol!”
Though director Howard Deutch wanted Cryer to play Duckie, he seemed to later regret it. “What I learned was that there are no rules, in the sense that life isn’t fair,” Deutch said in You Couldn’t Ignore Me. “Duckie should have the girl and it was all built for that and it was designed for that. And I could have ended that way, had I not f*cked with one thing: I cast Jon Cryer.”
7. GHOST TURNED DEMI MOORE INTO THE HIGHEST-PAID ACTRESS AT THE TIME.
By the time Ghost was released, Moore was already famous for her roles in St. Elmo’s Fire and About Last Night..., but she wasn’t considered a bankable star. After the unexpected $200 million domestic gross of Ghost, she hit box office gold with atrifecta of other huge hits: 1992’s A Few Good Men ($141,340,178), 1993’s Indecent Proposal ($106,614,059), and 1994’s Disclosure ($83,015,089). If you add up all of Demi’s film grosses, it comes out to more than $1 billion. In 1995, she was paid an unprecedented $12.5 million to take her clothes off in Striptease. The film wasn’t a huge hit, and a few years later she traded Hollywood for Idaho.
8. BEFORE THE PHILADELPHIA STORY, KATHARINE HEPBURN SPENT A FEW YEARS AS “BOX OFFICE POISON.”
It's hard to believe given her legendary status today, but after a string of flops in the 1930s, Hepburn was considered "box office poison." That was an official designation, by the way; a 1938 survey of theater owners labeled her as such, along with such luminaries as Fred Astaire, Greta Garbo, Mae West, Joan Crawford, and Marlene Dietrich. (The theater owners weren't wrong about those stars' movies not being big sellers, though perhaps it wasn't very nice of them to publish a list like that.)
9. SOME PEOPLE WALKED OUT OF THE FIRST AMERICAN SCREENING OF FOUR WEDDINGS AND A FUNERAL.
Metro-Goldwyn-Mayer Studios Inc.
It was in Salt Lake City, Utah. The 30-person, Mormon-filled town council left the theater after witnessing the version of the opening scene with Charles saying "f**k." It was Hugh Grant’s first time seeing the entire film and he thought the walk-outs were a bad sign.
10. SAY ANYTHING’S LLOYD DOBLER WAS BASED ON CAMERON CROWE’S NEIGHBOR
The writer-director was having issues writing the leading man, but became inspired when he met his Alabama neighbor, Lowell Marchant. “He was this friendly guy with a crew cut who just wanted to meet everybody he could,” Crowe toldEntertainment Weekly. “He knocked on the door and said, ‘Hello, I’d like to introduce myself. I’m Lowell Marchant. I am a kickboxer, and I’ll be living here for a little bit. Are you aware of the sport kickboxing? It is now a major sport covered by ESPN.’ I’d tell [executive producer James L. Brooks], ‘The character’s not coming, and there’s this f***ing guy down the way who keeps knocking on the door and he’s a kickboxer.’ And Jim’s looking at me like, ‘And you’re wondering what to write?’”
11. ANDIE MACDOWELL’S DRINK OF CHOICE IN GROUNDHOG DAY WAS FAMILIAR TO WRITER/DIRECTOR HAROLD RAMIS.
Rita drank sweet vermouth because it was Ramis’s wife’s favorite.
12. HUGH GRANT'S BLUE DOOR IN NOTTING HILL WAS WRITER RICHARD CURTIS'S BLUE DOOR.
The exterior of Will Thacker's (Hugh Grant) home in Notting Hill—including the blue door—was once owned by screenwriter Richard Curtis. After the movie came out, the home's new owners—annoyed by all of the fans who came to visit the location—painted the door black. After it was sold again, the door was painted back to blue.
13. VIGGO MORTENSEN ALMOST PLAYED JAKE RYAN IN SIXTEEN CANDLES.
Viggo Mortensen and Molly Ringwald kissed during the audition, which made the future The Lord of the Rings star Ringwald's pick to play her love interest. “He made me weak in the knees," she told Access Hollywood. "He really did.” When the two co-starred in the movie Fresh Horses, Mortensen told Ringwald that he always thought he didn’t get the job because of his kissing.
14. WOODY ALLEN’S ORIGINAL IDEA FOR ANNIE HALL WAS COMPLETELY DIFFERENT.
Although Annie Hall is now heralded as one of the most influential and inventive romantic comedies of all time, director and co-writer Woody Allen’s original mission was not to make a relationship picture. Allen and his writing partner, Marshall Brickman, instead conceived of the story as a general exploration of the main character’s life and psyche, which was to to be filled with romantic, mysterious, and fantastical subplots in equal parts.
The project, reflecting protagonist Alvy Singer’s persistent malaise, was first titled Anhedonia, a somewhat archaic psychiatric term referring to the inability to feel joy. The first cut of the movie ran about 140 minutes—almost 50 minutes longer than the final version.
15. SLEEPLESS IN SEATTLE REFERENCED THE SOUP NAZI, TWO YEARS BEFORE SEINFELD DID.
TriStar Pictures, Inc.
When a writer in Meg Ryan's office was pitching a story and talked of a man that “sells the greatest soup you have ever eaten” while simultaneously doubling as “the meanest man in America,” he was talking about Ali “Al” Yeganeh, the proprietor of Soup Kitchen International. For what it’s worth, Yeganeh is from Iran, not Germany.
16. STEVE CARELL LOST 30 POUNDS FOR THE 40-YEAR-OLD VIRGIN.
Though Judd Apatow was originally "nervous about it, because I don't think comedians wanting to look good is ever good for the comedy," he gradually realized that Steve Carell being "ripped" was a good idea. Because it helped establish that Carell's character, Andy, was only a virgin because he’s shy and nervous, not because of his looks.
17. A WHOLE BUNCH OF GIRLS ARE NAMED "AMÉLIE" BECAUSE OF THE MOVIE.
Assuming, in this case, that correlation equals causation. In 2000, the year before the movie came out, there were 12 babies in England and Wales given the name Amélie. The number shot up to 250 in 2002, and by 2007, there were around 1100 new Amélies per year. The number has held steady ever since. The trend was similar in the U.S., with Amélie not among the 1000 most popular names until 2003, when it suddenly leapt to 839th place and rose from there.
18. 10 THINGS I HATE ABOUT YOU CO-WRITER KAREN MCCULLAH’S HIGH SCHOOL BOYFRIEND INSPIRED THE TITLE.
During a Q&A with 10 Things I Hate About You screenwriters Karen McCullah and Kirsten Smith, McCullah revealed that, “The title is based on a diary entry I made in high school,” she explained. “I had a boyfriend named Anthony that I was frequently unhappy with. I made a list called 'Things I Hate About Anthony.' When Kirsten [Smith] and I decided to write this, I went through all of my high school diaries to bone up on the angsty memories, and when I told her about that list, she was like, ‘That’s our title.’”
It turns out her ex-boyfriend likes the movie. “Anthony is very proud of that fact,” McCullah said. “We’re still friends today. And every now and then I’ll get a random phone call in the middle of night: ‘My nephew doesn’t believe that this title is about me. Tell him.’ On the phone, I’m like, ‘Yes, I hated Anthony in high school.’”
19. RICHARD LINKLATER, ETHAN HAWKE, AND JULIE DELPY KNEW CELINE AND JESSE WOULD SEE EACH OTHER AGAIN WHILE FILMING BEFORE SUNRISE.
“I always said that the movie was a litmus test for how you view romance,” Richard Linklater told The New York Times in 2004. “Some people would go: ‘It’s so clear. They will never get back together.’ People were so sure.” He said the viewer’s interpretation depends on their romantic history. Apparently Linklater, Julie Delpy, and Ethan Hawke are romantics—they knew Celine and Jesse would come back together.
20. CAMERON CROWE BELIEVED FRIENDS WAS A RIP-OFF OF SINGLES.
Cameron Crowe was asked by Warner Bros. Television to turn Singles into a TV series about “a group of six 20-something roommates searching for love.” Crowe decided not to do that. When Friends, a Warner Bros. show, debuted in 1994, the show was so familiar looking to Crowe that he had his lawyer look into it. Apparently, just enough of the details were changed that it wouldn’t be an easy lawsuit.
21. CHER USED SONNY BONO’S FAMILY AS A REFERENCE POINT FOR MOONSTRUCK.
Cher, who is part Armenian and part Cherokee, didn’t know how Italian families worked. “I didn’t come from that kind of family. I really didn’t relate exactly to it, but I had a sense of it, like a distant sense of it,” she told Good Morning America. “Not like something that you can relate to first hand. I’ve known some families like that and I got feelings of it. After a while I thought I might be able to do this.”
But her Moonstruck family reminded her of her ex-husband’s family. “It kind of reminded me of Sonny’s family,” she told the Los Angeles Times. “Everybody eating and talking and shouting—but you have such good times.”
22. ONE OF THE BIGGEST STARS IN THE WORLD SHARED BILLING WITH AN UNKNOWN IN ROMAN HOLIDAY.
Gregory Peck already had 18 films and four Oscar nominations under his belt when he was paired with Audrey Hepburn, a newcomer who’d had small roles in a handful of movies but nothing substantial. Given his status, it’s no surprise Peck’s contract called for solo top billing in the credits. But shortly after shooting began, Peck called his agent and said Hepburn’s name should appear with his above the title. The agent: “You can’t do that.” Peck: “Oh, yes I can. And if I don’t, I’m going to make a fool out of myself, because this girl is going to win the Oscar in her very first performance.” So maybe he was being pragmatic more than generous, but still. Stand-up guy, that Peck (and a bit of a prophet, too).
23. MEG RYAN DIDN'T HAVE A COMPUTER BEFORE MAKING YOU’VE GOT MAIL.
Amy Heckerling is well known for her forays into coming-of-age stories; the first was her directorial debut, the beloved 1982 comedy Fast Times At Ridgemont High. Clueless came in 1995 was followed up with the Jason Biggs-fronted Loser in 2000, Each comedy not only centered on teens, but also aimed to capture the adolescent zeitgeist of its era in a way that made them accessible and cool to all ages. Obviously, some worked better than others.
25. ACTRESS ALI MACGRAW PUSHED ROBERT EVANS TO CUT HAROLD AND MAUDE’S LOVE SCENE.
Of course, her Paramount boss husband tried to oblige. Director Hal Ashby furiously objected, saying, “That’s sort of what the whole movie is about, a boy falling in love with an old woman; the sexual aspect doesn’t have to be distasteful.” About the less-than-explicit scene, Being Hal Ashby author Nick Dawson wrote, “Ashby wanted to show the beauty of young and old flesh together, something that he knew the younger generation, the hippies, the heads, the open-minded masses would dig, but Evans said it would repulse most audiences, so it had to go.” In the end, Ashby won by sneaking the footage into the film’s trailer.
26. LOVE ACTUALLY’S AIRPORT OPENING AND CLOSING WAS SHOT WITH HIDDEN CAMERAS.
The footage of passengers being welcomed and embraced by loved ones at Heathrow Airport that bookends Love Actually was shot on location with hidden cameras for a week. In the film's DVD commentary, writer-director Richard Curtis explains that when something special was caught on camera, a crewmember would race out to have its subjects sign a waiver so the moment might be included in the film. This was a fitting production device, as Curtis claims that watching the love expressed at the arrival gate of LAX is what inspired him to write the ensemble romance in the first place.
27. JACK BLACK DIDN’T WANT TO BE IN HIGH FIDELITY.
Jack Black nailed his role as High Fidelity's hyperactive and pathologically insensitive record store employee Barry—which, in fact, John Cusack and company wrote with him in mind—but the actor initially had no interest in playing the part. It was director Stephen Frears who managed to save the day, pursuing Black until he eventually agreed to join the cast.
28. MEET THE PARENTS INSPIRED A CAT TOILET-TRAINING PRODUCT.
Jo Lapidge and her husband, Terry, came up with the idea for Litter Kwitter—a toilet-training tool for cats—after seeing Meet the Parents. (Litter Kwitters come with plastic rings you put over the toilet seat. Gradually the hole in the rings gets bigger until the rings aren’t needed at all.) On set, though, the cats weren’t actually trained to use the toilet.
29. JULIA ROBERTS TURNED DOWN THE LEAD IN WHILE YOU WERE SLEEPING.
Roberts was already flying high from the major success of Pretty Woman five years earlier, so the actress seemed like a solid pick for another charming romantic comedy about two very different people brought together by unexpected circumstances. Fortunately for Sandra Bullock, she turned down the role.
30. JULIA ROBERTS ALSO TURNED DOWN THE LEAD IN SLEEPLESS IN SEATTLE.
In a 2014 interview with InStyle, the Oscar-winning actress shared that she had been "offered Sleepless in Seattle but couldn't do it," adding that, "[Meg Ryan] and Tom Hanks are just such a jewel of a fit in that. I guess what they did for that moment in time is sort of what Richard [Gere] and I were doing across town (in the 1990 film Pretty Woman), you know?"
31. ETERNAL SUNSHINE OF THE SPOTLESS MIND MIGHT NOT BE FICTION MUCH LONGER.
In 2014, scientists reported that they’d successfully manipulated mice’s memories, or at least the emotions associated with those memories. See, we form the informational part of our memories—the facts and events—in the hippocampus neighborhood of the brain. The emotions connected to them—how we feel about those facts and events—are stored down the road in the amygdala. Scientists messed with some mice’s amygdalae and basically reversed how they “felt” about prior lab experiences, changing an unpleasant association into a pleasant one, and vice versa.
The scientists were quick to point out that while this could be useful in erasing a person’s negative emotions about something in their past (for PTSD sufferers, for example), it would be a bad idea to actually make them forget that these events had happened. Which means they must have gotten the message of Eternal Sunshine of the Spotless Mind.
32. CAMERON DIAZ HAD CONCERNS OVER THE "HAIR GEL SCENE" IN THERE’S SOMETHING ABOUT MARY.
Cameron Diaz was concerned that the audience would be too disgusted over the physical gag to laugh, which could possibly ruin her acting career. With those concerns in mind, another version of the date scenes was shot without anything in her hair. Once the viewers at a test screening heartily laughed at the scene with Ted’s product in Mary’s hair, Diaz was okay with it.
33. BEN STILLER ALSO HAD PROBLEMS WITH THE SCENE.
Ben Stiller couldn’t figure out how his character wouldn’t feel what was hanging on his ear, and even went so far as to suggest that it be written somewhere that Ted had somehow lost sensitivity in his ear. He was told to stop thinking about it.
34. THE EPIC FIGHT SCENE BETWEEN HUGH GRANT AND COLIN FIRTH IN BRIDGET JONES’S DIARY WASN’T CHOREOGRAPHED.
You can thank the two actors for the hilarity of the iconic scene. In a Vulture article about the greatest fight scenes in movie history, writer Denise Martin recalled the improvised spar, writing, “No stunt coordinators. No elaborate choreography. Just a perfectly realized wimp brawl between two upper-middle-class Englishmen coming to awkward fisticuffs in front of a Greek restaurant.”
35. GHOST’S SUCCESS MADE ROMANTIC FILMS MORE VIABLE.
Summer tentpoles Die Hard 2 (starring Demi Moore’s then-hubby Bruce Willis), Total Recall, and Dick Tracy failed to claim a slot in the top five year-end box office, but romantic comedy Pretty Woman did. Like Ghost, Pretty Woman was yet another female-loved film that made a lot of money ($178 million domestic). “The success of Ghost and Pretty Woman has revitalized the romantic comedy, a genre that in recent years had become less appealing to Hollywood studios intent on making blockbuster action-adventure films,” read a 1990 article in The New York Times. In Ghost’s wake, The Bodyguard, Jerry Maguire, and Titanic all became huge hits for the romantic drama genre.
36. MY BIG FAT GREEK WEDDING BROKE A LOT OF RECORDS.
My Big Fat Greek Wedding made $241,438,208 in U.S. theaters, making it the highest-grossing romantic comedy in history, over $58 million ahead of What Women Want (2000). It's also the highest-grossing movie since at least 1982 to never be number one during any box office weekend. With a gross revenue (theater and home video sales) of approximately $369 million off of a $5 million production budget, it's also one of the most profitable movies ever made.
37. THE SCRIPT FOR JUNO WAS "DEEPLY PERSONAL" FOR DIABLO CODY.
Fox Searchlight Pictures
The Oscar-winning screenwriter based the story for Juno on her own life and wanted to tell a story that was “different” from the rest of Hollywood movies. “Juno is like a personal, emotional scavenger hunt for me," Cody toldThe Telegraph. "I dragged so many of my own experiences into it that I'm shocked the movie is so coherent. I managed to get every person, quirk, and object that has meaning in my life into the script. I wanted to make it deeply personal. I didn't want it to be generic."
38. THE ENDING OF LEGALLY BLONDE WAS CHANGED BECAUSE OF TEST AUDIENCES.
Initially, Legally Blondeended with Reese Witherspoon and Luke Wilson kissing on the courthouse steps, then cutting to Elle Woods and Vivian forming a “Blonde Legal Defense Club.” Test audiences were too invested in what happened to Elle’s life to like that conclusion.
39. CHASING AMY WAS ORIGINALLY GOING TO BE A PG-13 MOVIE SET IN HIGH SCHOOL.
The studio initially suggested to Kevin Smith that he make Chasing Amy as a PG-13 high school movie. Smith thought about it for a time and wrote some scenes. Ethan Suplee was going to play one of the main characters, but then Smith changed his mind. "A week later, I was like, 'No,'" Smith told The A.V. Club. "Then the movie [Mallrats] tanked, and that sealed the deal. It was just like, that's the last movie I make that doesn't have anything on its mind."
40. BRIAN GRAZER CAME UP WITH THE IDEA FOR SPLASH WHILE DRIVING DOWN THE PACIFIC COAST HIGHWAY.
One night, while driving down the Pacific Coast Highway near Malibu in 1977, Brian Grazer—then 25 years old—thought about what it would be like to meet a mermaid and fall in love. For seven years, he was turned down by most Hollywood studios until he revised his pitch for Splash to be more of a love story between a man and a mermaid. Lowell Ganz and Babaloo Mandel, who penned Ron Howard’s Night Shift (1982), and Bruce Jay Friedman (Stir Crazy) were the credited screenwriters for Splash. The script was nominated for a Best Original Screenplay Oscar.